Formed in 1999 as a duo of female guitarist Pirako Kurenai and male guitarist Kageo, Suishou no Fune have been making some of the most charmingly chaotic dream music coming out of Japan. Their sound contains subcutaneous elements of no-wave energy mixed with psychedelic rock à la early Fushitsusha or Kousokuya. Other songs approach balladry with oddly beautiful twinned vocals and distorted guitars. They have performed around Tokyo with a list of people who could succinctly be described as everybody and were even invited to play Scotland’s Weekend festival in 2005.  

“The group’s sound runs from massively distended nod-outs that recall parts of the first Fushitsusha album through weird duo tracks that orbit a parallel universe where late-period John Fahey was the prime influence on Charalambides, infernal Dead C/Gate style guitar abuse and achingly beautiful comedown ballads. The twin vocalists are massively different in their approach, with Pirako singing in a high wayward style that's all throat and no lungs while Kageo works from the other end of the pipes with a ripped Father Yod/Jim Morrison/Keiji Haino polyglot. Simply one of the greatest out-of-nowhere groups to come out of the Tokyo underground in years and the undisputed stars of PSF’s recent Tokyo Flashback 5 compilation.”—Volcanic Tongue

Suishou no Fune originated in Tokyo's fertile psychedelic scene. After landing a spot on PSF's Tokyo Flashback 5 and releasing Where the Spirits Are in 2006, the group ventured out from Japan and took every opportunity to play across the United States and Europe. During one of these trips in the spring of 2007, the group-- down to the crucial duo of Pirako and Kurenai-- went into a recording studio for a few days and laid down eight massive new tracks. Two tracks, chosen by the group—"Becoming a Flower" and "Till We Meet Again"—appear on this special vinyl edition. Much about Suishou no Fune has had to do with volume, but this new set of duets adds forays into starker songwriting and a languid serenity that works to make one feel as if it were necessary to hold one's breath through the entire album.